It is one of the main manifestations of art, emerging in Rome and from there it spread throughout Europe in order to express the sense of orientation of most of the artists of the time, but what does the baroque itself contain? For this, it is necessary to know its definition, meaning and concept.
The Baroque developed in the early years of the 17th century in the city of Rome in Italy, admired today for the presentation of great beauties in sculpture, painting and architecture that are maintained today in addition to music and literary works.
It has an approximate location between 1600 and 1750, representing its name as a criticism of the innovations that were made during these years, being viewed negatively due to the exaggerated representations that were represented under this conception of art.
What do you need:
- Italy.
- XVII century.
- It dominates all of Europe.
- An era that wants to stand out.
- Art and style.
- Break with different movements.
- Own and defined characteristics.
Instructions
The baroque was named long after it passed, like a trail due to the rapidity of its influence in the different areas of the arts, despite making various criticisms of them and which were mostly contemptuous or contemptuous in the different aspects that arose.
The Baroque was a style, an art and in turn also an era that not only influenced all the arts, but also most of the activities that were carried out at the time, having the possibility of offering special characteristics that were the same for all the artistic forms.
Baroque
- The Baroque was a movement that broke against all odds during the 17th century, which not only stayed in a single country from which it arose, Italy, but rather developed throughout the European continent, as the main cultural manifestation.
- It is a concentration of all currents of art, reflecting itself in a transcendental way and leaving a legacy that even crossed the ocean to reach America and receive its influence, being an uprising against what had been known as art.
- Powers that backed him. The great powers that rose up at the time as the great supporters of the different manifestations were the church and the great monarchies that prevailed, giving their approval to any emergence that broke with the austere and rigid nature of other styles.
- The baroque breaks with the ideas of romanticism and neoclassicism, with a large-scale style, which, in addition to everything, stood out for touching other areas such as social relations and values, as well as its customs throughout this movement.
- Beauty and ostentation. The baroque is a manifestation that was characterized by demonstrating the opulence of those who remained in power absolutely both in the reign and in the church, being apart from this framed in majesty also dynamism.
- The baroque will follow a series of characteristics that have to do with nature, taken to painting, architecture and sculpture, highlighting new ideas full of luxury, ostentation and extravagance, which will be the greatest strength of this movement.
- The sense of the baroque. Baroque art focuses on movement, force or power in addition to the rigidity of its forms, making the lights and shadows in the painting give it that straight aspect of the religious and the Platonic, especially when subjects were represented. that had to do with spirituality.
- The hint of suffering in addition to the confrontation between space and optics in the representative works of the Baroque becomes one of the opportunities that the artists gave to their works, especially when it came to doing the right thing in their paintings.
- reflected feelings. Baroque art represents the characters with their own unique light, making it clear that they are human beings who have feelings, dreams and motivations reflected through the images and feelings that emerge from the perspective from which they are looked at.
- The search to bring out from within the feeling of the person was a concern that artists had, especially when it came to achieving the image of a person on the canvas, regardless of the social class to which they belonged.
- Painting in the Baroque. It is a royal way of representing reality as it was seen, regardless of beauty or styling, without holding back to achieve a kind of staged movement on the canvas, through the different areas in which the works were carried out.
- Light and shadow were taken into account through a technique, a mixture of darkness and light, with various emotions that were captured through the artist’s brush, and that in turn the models and muses reflected the accumulation of emotions hidden in the inmost recesses of the soul.
- The themes most used in this manifestation of baroque art were: Spiritual, religious or passion themes; Women of the court with the saddest problems; Elements of daily life; Landscapes and still life; Mythology in all its splendor.
- Baroque architecture. The Baroque began to use curved lines to call attention to those who stopped to observe any building made during this artistic manifestation, since they offered a kind of movement that suggested displacement. The facades were represented by being quite deep, in order to place attached sculptures, open and highly decorated to make the viewer astonished with the whole wonderful set, like a beautiful vision.
- Many are the materials used for construction, such as: Wood; Bronze; Marble; The stone.
- Baroque sculpture. It is imperative to try to reach the realism of the forms, taking into account the relief and the realism of the works, to demonstrate the great feeling or suffering to revive it in the viewer as a call to attention or simply a way to identify with the work. The folds of the clothes visualized movements, the body in all its splendor, notorious features on the face of the works, reflecting a prevailing realism to show or capture vitality, strength, realism, movement as well as authenticity.
- Baroque features. The baroque, apart from having different characteristics in the different manifestations, also has the disposition to offer in a general way those that we name below:
- It is taken into account that those who work with the Baroque style have a taste for the ostentatious, as well as an excess of the striking and exaggerated ornamentation.
- The detail works with the search for perfect beauty or ugliness as presented with exaggerated realism.
- Representation of the religious with a taste for the real, in contrast to luxury and ostentation, reflecting contradiction.
- Light and shadow effect. Eye-catching while having a certain degree of complexity, especially when movement was implied.
Tips
- The church had the need to reflect the ostentation, the wealth and the great power that it exercised at the time.
- Numerous religious constructions.
- The baroque was also a philosophy.